As human contact becomes virtual and our living spaces close in upon themselves, the proposal questions our bodily encounters with tangible objects. In the cosiness of an ‘almost-home’, strangeness interferes in our gestures: delicate eruptions of something concealed that seems to regain its rights. Where we tend to forget it, it reminds us the living is a visceral and intimate experience, and the thought is built on a physical experiment. The result takes the shape of a series of small objects such as fragile and disturbing art forms. They are featured in installations where the bodily interaction is suggested by simple visual evocation—in photographs or films.

© Rudy Decelière